Arc of history; ultimate vindication

[carimachet@gmail.com (Cari Machet)]

she is a reality star maker & a reality star herself

as i have said before about the ethics of jeremy scahill > she dines on her
subjects ... dines on herself ... cannibal capitalist

in order to have your little film in the academy awards competition you
have to submit it ... i remember some foto of a horrid dress she was
wearing onstage ... did she like scream into the microphone 'i dont want to
be famous' or something ... i missed the whole ceremony or coronation or
wedding ... X(

On Sat, Feb 6, 2016 at 6:45 AM, coderman <coderman@gmail.com> wrote:

> "Both the journal and the documents she obtained from the government
> show how her own targeting helped to galvanize her resolve to expose
> the apparatus of surveillance."
>
> they've made fatal errors; miscalculating the blow back of global
> privacy destruction.
>
> against such injustice, some will spend every life hour left in
> opposition to this moral atrocity.
>
> "Nope, Never. Fuck NO!"
>
>
> best regards,
>
> ---
>
>
> http://www.wired.com/2016/02/snowdens-chronicler-reveals-her-own-life-under-surveillance/
>
> Snowdenâ??s Chronicler Reveals Her Own Life Under Surveillance
>      Andy Greenberg     Security Date of Publication: 02.04.16.
>     02.04.16
>     Time of Publication: 9:03 am.
>     9:03 am
>
> Laura Poitras has a talent for disappearing. In her early
> documentaries like My Country, My Country and The Oath, her camera
> seems to float invisibly in rooms where subjects carry on intimate
> conversations as if theyâ??re not being observed. Even in Citizenfour,
> the Oscar-winning film that tracks her personal journey from first
> contact with Edward Snowden to releasing his top secret NSA leaks to
> the world, she rarely offers a word of narration. She appears in that
> film exactly once, caught as if by accident in the mirror of Snowdenâ??s
> Hong Kong hotel room.
>
> Now, with the opening of her multi-media solo exhibit, Astro Noise, at
> New Yorkâ??s Whitney Museum of American Art this week, Snowdenâ??s
> chronicler has finally turned her lens onto herself. And sheâ??s given
> us a glimpse into one of the darkest stretches of her life, when she
> wasnâ??t yet the revelator of modern American surveillance but instead
> its target.
>
> The exhibit is vast and unsettling, ranging from films to documents
> that can be viewed only through wooden slits to a video expanse of
> Yemeni sky which visitors are invited to lie beneath. But the most
> personal parts of the show are documents that lay bare how
> excruciating life was for Poitras as a target of government
> surveillanceâ??and how her subsequent paranoia made her the ideal
> collaborator in Snowdenâ??s mission to expose Americaâ??s surveillance
> state. First, sheâ??s installed a wall of papers that she received in
> response to an ongoing Freedom of Information lawsuit the Electronic
> Frontier Foundation filed on her behalf against the FBI. The documents
> definitively show why Poitras was tracked and repeatedly searched at
> the US border for years, and even that she was the subject of a grand
> jury investigation. And second, a book sheâ??s publishing to accompany
> the exhibit includes her journal from the height of that surveillance,
> recording her first-person experience of becoming a spying subject,
> along with her inner monologue as she first corresponded with the
> secret NSA leaker she then knew only as â??Citizenfour.â??
>
> Poitras says she initially intended to use only a few quotes from her
> journal in that book. But as she was transcribing it, she â??realized
> that it was a primary source document about navigating a certain
> reality,â?? she says. The finished book, which includes a biographical
> piece by Guantanamo detainee Lakhdar Boumediene, a photo collection
> from Ai Weiwei, and a short essay by Snowden on using radio waves from
> stars to generate random data for encryption, is subtitled â??A Survival
> Guide for Living Under Total Surveillance.â?? It will be published
> widely on February 23.
>
> â??Iâ??ve asked people for a long time to reveal a lot in my films,â??
> Poitras says. But telling her own story, even in limited glimpses,
> â??provides a concrete example of how the process works we donâ??t usually
> see.â??
>
> That process, for Poitras, is the experience of being unwittingly
> ingested into the American surveillance system.
> On the Governmentâ??s Radar
>
> Poitras has long suspected that her targeting began after she filmed
> an Iraqi family in Baghdad for the documentary My Country, My Country.
> Now sheâ??s sure, because the documents released by her Freedom of
> Information Act request prove it. During a 2004 ambush by Iraqi
> insurgents in which an American soldier died and several others were
> injured, she came out onto the roof of the familyâ??s home to film them
> as they watched events unfolding on the street below. She shot for a
> total of eight minutes and 16 seconds. The resulting footage, which
> she shows in the Whitney exhibit, reveals nothing related to either
> American or insurgent military positions.
>
> â??Those eight minutes changed my life, though I didnâ??t know it at the
> time,â?? she says in an audio narration that plays around the documents
> in her exhibition. â??After returning to the United States I was placed
> on a government watchlist and detained and searched every time I
> crossed the US border. It took me ten years to find out why.â??
>
> laura-poitras-whitneyClick to Open Overlay Gallery
> A Whitney Museum visitor looking at a selection of Poitrasâ?? FOIAed
> documents framed in a collection of light boxes. Andy Greenberg
>
> The heavily redacted documents show that the US Army Criminal
> Investigation Command requested in 2006 that the FBI investigate
> Poitras as a possible â??U.S. media representative â?¦ involved with
> anti-coalition forces.â?? According to the FBI file, a member of the
> Oregon National Guard serving in Iraq identified Poitras and â??a local
> [Iraqi] leaderâ??â??the father of the family that would become the subject
> of her film. The soldier, whose name was redacted, questioned Poitras
> at the time, and reported that she â??became significantly nervousâ?? and
> denied filming from the roof. He later told the Army investigators
> that he â??strongly believedâ??â??but without apparent evidenceâ??â??POITRAS had
> prior knowledge of the ambush and had the means to report it to U.S.
> Forces; however, she purposely did not report it so she could film the
> attack for her documentary.â??
>
> One page shown in the Whitney exhibit reveals that the New York field
> office of the FBI was tracking Poitrasâ?? home addresses, and Poitras
> believes the reference to a â??detectiveâ?? working with the FBI indicates
> the New York Police Department may have also been involved. By 2007,
> the documents reveal that there was a grand jury investigation
> proceeding on whether to indict her for unnamed crimesâ??multiple
> subpoenas sought information about her from redacted sources. (Poitras
> says that the twelve pages she published in the Whitney exhibition are
> only a selection of 800 documents sheâ??s received in her FOIA lawsuit,
> which is ongoing.)
> Being Constantly Watched
>
> Private as ever, Poitras declined to detail to WIRED exactly how she
> experienced that federal investigation in the years that followed. But
> flash forward to late 2012, and the surveillance targeting Poitras had
> transformed her into a nervous wreck. In the book, she shares a diary
> she kept during her time living in Berlin, in which she describes
> feeling constantly watched, entirely robbed of privacy. â??I havenâ??t
> written in over a year for fear these words are not private,â?? are the
> journalâ??s first words. â??That nothing in my life can be kept private.â??
>
> She sleeps badly, plagued with nightmares about the American
> government. She reads Cory Doctorowâ??s Homeland and re-reads 1984,
> finding too many parallels with her own life. She notes her computer
> glitching and â??going pinkâ?? during her interviews with NSA
> whistleblower William Binney, and that it tells her its hard drive is
> full despite seeming to have 16 gigabytes free. Eventually she moves
> to a new apartment that she attempts to keep â??off the radarâ?? by
> avoiding all cell phones and only accessing the Internet over the
> anonymity software Tor.
>
> When Snowden contacts her in January of 2013, Poitras has lived with
> the specter of spying long enough that she initially wonders if he
> might be part of a plan to entrap her or her contacts like Julian
> Assange or Jacob Appelbaum, an activist and Tor developer. â??Is C4 a
> trap?â?? she asks herself, using an abbreviation of Snowdenâ??s codename.
> â??Will he put me in prison?â??
>
> Even once she decides heâ??s a legitimate source, the pressure threatens
> to overwhelm her. The stress becomes visceral: She writes that she
> feels like sheâ??s â??underwaterâ?? and that she can hear the blood rushing
> through her body. â??I am battling with my nervous system,â?? she writes.
> â??It doesnâ??t let me rest or sleep. Eye twitches, clenched throat, and
> now literally waiting to be raided.â??
>
> Finally she decides to meet Snowden and to publish his top secret
> leaks, despite her fears of both the risks to him and to herself. Both
> the journal and the documents she obtained from the government show
> how her own targeting helped to galvanize her resolve to expose the
> apparatus of surveillance. â??He is prepared for the consequences of the
> disclosure,â?? she writes, then admits: â??I really donâ??t want to become
> the story.â??
>
> In the end, Poitras has not only escaped the arrest or indictment she
> feared, but has become a kind of privacy folk hero: Her work has
> helped to noticeably shift the worldâ??s view of government spying, led
> to legislation, and won both a Pulitzer and an Academy Award. But if
> her ultimate fear was to â??become the story,â?? her latest revelations
> show thatâ??s a fate she can no longer escapeâ??and one sheâ??s come to
> accept.
>
> Poitrasâ?? Astro Noise exhibit runs from February 5 until May 1 at the
> Whitney Museum of American Art, and the accompanying book will be
> published on February 23.
>
>


-- 
Cari Machet
NYC 646-436-7795
carimachet@gmail.com
AIM carismachet
Syria +963-099 277 3243
Amman +962 077 636 9407
Berlin +49 152 11779219
Reykjavik +354 894 8650
Twitter: @carimachet <https://twitter.com/carimachet>

7035 690E 5E47 41D4 B0E5 B3D1 AF90 49D6 BE09 2187

Ruh-roh, this is now necessary: This email is intended only for the
addressee(s) and may contain confidential information. If you are not the
intended recipient, you are hereby notified that any use of this
information, dissemination, distribution, or copying of this email without
permission is strictly prohibited.
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://cpunks.org/pipermail/cypherpunks/attachments/20160206/29850fa0/attachment.html>